Around the fire ... To reflect about the Pichonian

To

get to know Pichon through his writings is difficult

because

he was someone who communicated

primarily

through his presence... and with little patience for writing.

And

he was hardly a speaker for the great masses—

but

rather the one who tells stories to those

who

“sit gathered around a fire—

with

the night as a backdrop...”.

What

is presented there

are

comments, anecdotes, stories,

but,

above all, memories.

He

invited people to feel... to reflect...

to

exchange ideas among themselves.

Under

such circumstances

the

imagination begins to slip free

and

no one asks about reality

or

about the truth of what is being told.

One

is there to listen,

to

speak, should an opportunity arise...

to

“let oneself be carried away” to places

that

are difficult to define...

And

—it is this tradition of the “gathering around the fire”

that

the operative groups take up!

In

the work that takes place, one can sense an “operative resonance”...

a

conception of “group work” and of the perception of reality...

of

a way of learning something about the reality of others

through

identification—projective and introjective...

of

being, in part, in the other in order to understand them,

without

at the same time becoming

that different “other”.

Pichon’s

all-encompassing emergent

can

perhaps be understood mythically

as

something born out of an “ancient” unconscious...

made

up of a knowledge of psychosis

as

something present... as something born

from

that all-encompassing “ancient” dimension that each person carries

within themselves...

and

whose manifestation is the psychotic crisis.

The

magical and metaphorical dimensions of psychotic thought

fascinated

Pichon...

he

sought to penetrate this unexplored world of confusion...

and

to come into contact with its purely unconscious

and

fundamental driving forces.

His

contact with the other world... l’autre monde...

in

search of the secret behind life and death, does not take place

through

opening “old, solitary coffins”,

but

through the unknown rooms

that

revealed themselves in the world of madness...

in

Freud’s “uncanny”... in the eerie.

It

is possible that the often unsettling image one has

of

Pichon’s final years—and which he himself liked to display—

does not correspond to his true character.

And

the inverted cone

brings

to mind Dante’s Divine Comedy,

where

there is talk of a descent into hell

as

a series of concentric circles

which

end in a point of ice.

“What

the city or society has repressed

reappears

in psychiatry!”

Pichon

linked the idea of a basic depression...

to

Freud’s idea of regression... and from this developed

the

Theory of the Single Disease.

If

basic depression

is

a kind of “birth certificate”...

...

then the presence of “the third”

as

a separating element between mother and child

is

also a “bridge”, in which the bond

becomes

a structuring element.

The

Theory of the Single Disease is not merely a theoretical contribution

but

also a powerful working tool...

one

that connects the single disease

with

its varying clinical expressions

within

a complex phenomenology of “models of bonding”

and

thus complements Mrs. Klein’s theory of object relations.

When

Pichon speaks of the “emergent element” that is born

in

the bond between analyst and analysand,

this

also evokes the idea

of

a closed, circular discourse...

the

result of the chaos that opens

like the essential spiral of a labyrinth.

In

Pichon there is a collision between different cultures

that

creates a complex mode of being.

And

as earlier in Madrid and Paris,

it

is in the café streets

that

people of different cultures and races

meet

one another...

Pichon

loved tango... the nightlife... and

the many encounters... in cafés. “My real universities were

those exciting encounters

in

the cafés of Buenos Aires...”

That

psychoanalysis had such a powerful impact in Argentina

and

Buenos Aires

has

to do with the philosophy of tango.

Immigrants...

emigrants... refugees...

restless

souls... expressing ideas and thoughts in

the

nostalgic rhythm of tango.

And

Calle Corrientes

was a condensation of different places in Europe—

but

with an entirely distinctive connection of its own...

where

the bookshops remained open until two in the morning.